Release Date: August 27, 2013 |
Another Self Portrait is one of my favorites of the bootleg series. The original recordings included on the release sound fresh and vibrant, worthy improvements on the original versions of these songs, many of which were never released. Excerpts from the Isle of Wight concert and demos made with George Harrison are also highlights. The sound on these records weaves between the more "homespun" sound of the early Paul McCartney albums and the ambitious production Simon and Garfunkel's Bridge Over Troubled Over Water.
These are some of the highlights.
These are some of the highlights.
Disc 1
"Pretty Saro" An English traditional that features a a haunting vocal from Dylan.
"Spanish is the Loving Tongue" Set to piano, one of the best renditions of another tradtional, much better than the version on the 1973 "revenge" album released by Columbia (outtakes from Self-Portrait released in response to Dylan's brief time at Asylum records).
"Time Passes Slowly #1" One of the great songs on New Morning, here it sounds like a lost track from the Beatles White Album (George Harrison provided backing vocals).
"Only a Hobo" A song Dylan recorded many times in the very early days, this performance was intended for inclusion on Greatest Hits Vol. II.
"Thirsty Boots" Another pristine recording, a cover of Eric Anderson's 1966 song inspired by the Civil Rights Movement.
"This Evening So Soon" Another outtake from Self-Portrait, focused and well produced.
Disc 2
"If Not For You" Dylan's collaboration with Harrison includes a stately string arrangement. The song appeared on Dylan's New Morning and George's All Things Must Pass.
"Wallflower" A song Dylan passed on to Texan Doug Sahm, Diana Krall's version is also excellent.
"Sign on the Window" A magisterial version of a pivotal track on New Morning, possibly the best indicator of Dylan's state of mind in the early 1970s.
"Tattle O'day" A joyful tune Dylan about a dog with Harrison on guitar.
"New Morning" The album's title track gets completely re-imagined as a four minute epic with horns reminiscent of Simon and Garfunkel's "Keep the Customer Satisfied."
"Went to see the Gypsy" On an electrical piano, Dylan does a lounge act performance of a song about a mythical meeting in Las Vegas. I discussed this one on the podcast Pod Dylan.
"Time Passes Slowly #2" Another exceptional take with Al Kooper on organ.
Conclusion
Another Self Portrait does a great job of shedding light on an often misunderstood period in Dylan's career, the myth being he didn't care about the quality of the albums he was putting out. In many ways these records are a continuation of the Basement Tapes, a blend of traditional songs with new songs, often blurring the line between the two. The production on Another Self-Portrait are far more adventurous than what appeared on the official releases.
"If Not For You" Dylan's collaboration with Harrison includes a stately string arrangement. The song appeared on Dylan's New Morning and George's All Things Must Pass.
"Wallflower" A song Dylan passed on to Texan Doug Sahm, Diana Krall's version is also excellent.
"Sign on the Window" A magisterial version of a pivotal track on New Morning, possibly the best indicator of Dylan's state of mind in the early 1970s.
"Tattle O'day" A joyful tune Dylan about a dog with Harrison on guitar.
"New Morning" The album's title track gets completely re-imagined as a four minute epic with horns reminiscent of Simon and Garfunkel's "Keep the Customer Satisfied."
"Went to see the Gypsy" On an electrical piano, Dylan does a lounge act performance of a song about a mythical meeting in Las Vegas. I discussed this one on the podcast Pod Dylan.
"Time Passes Slowly #2" Another exceptional take with Al Kooper on organ.
Conclusion
Another Self Portrait does a great job of shedding light on an often misunderstood period in Dylan's career, the myth being he didn't care about the quality of the albums he was putting out. In many ways these records are a continuation of the Basement Tapes, a blend of traditional songs with new songs, often blurring the line between the two. The production on Another Self-Portrait are far more adventurous than what appeared on the official releases.